Open-Door Playhouse

Agnes’s Little War

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​​​Do citizens have the right to judge elected leaders on personal morals? An idealistic voter lost faith in a political candidate and is demanding that he return the contribution she made to his campaign. A man with ties to the candidate appears at her door, offering her money if she will "back off." Can her values stand up to the test?

Bernadette Armstrong directs a cast that includes Rosemary Thomas as Agnes and Gilbert Glenn Brown as Evan.

Rosemary FrisinoToohey is the playwright. A married mother of four, she resides in Baltimore. Her plays have received over 440 productions, domestically and internationally. Her full-length plays include Gladys in Wonderland, Crazy Quilt Blues, A Very Fowl Thanksgiving, Smoke in the Canyon, The Garbageman, Cornered, and more.

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Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.

Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
 
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to  https://open...

SPEAKER_01

Hello and welcome to Open Door Playhouse, a theater podcast that celebrates live theater on the podcast stage. I'm Rosemary Thomas. At Open Door Playhouse, we strive to bring our listeners thoughtful and surprising 10-minute shorts and one-out plays that showcase insightful and new perspectives of the world we share with others. Open Door Playhouse is a 501c3 theater organization. Support for Open Door Playhouse comes from listeners like you. Your tax-deductible donations help keep our plays on the podcast stage. Now playing in Theaters 117, Agnes's Little War, written by Rosemary Fresino Tulle and directed by Bernadette Armstrong, starring Rosemary Thomas as Agnes and Gilbert Glenn Brown as Evan.

SPEAKER_00

Good morning, ma'am.

SPEAKER_01

Good morning to you.

SPEAKER_00

Say, I haven't seen one of those in a long time. That's an eight ball, isn't it?

SPEAKER_01

That's what it is. It's giving me grief today.

SPEAKER_00

How so?

SPEAKER_01

Oh, it's a little game my husband used to play. Daniel always began the morning asking the April what kind of days it going to be. I told him he was being silly. But now that he's gone, I guess I've picked up his habit. Anyway, today it says, better not tell you now. What kind of answer is that?

SPEAKER_00

I'm sure I don't know. But uh would you mind if I sat down for a moment here on your porch?

SPEAKER_01

All right, you can do that. That fine suit you're wearing might get a little dusty, of course. But I'm not going to let you come inside.

SPEAKER_00

Uh, no problem, ma'am. That's very wise of you. I wouldn't ask to come inside anyway.

SPEAKER_01

Well, have a seat. Just so you know, Miss Jacobs across the street is keeping an eye on us. You can't see her, of course. She's behind the curtains. But she and I look out for one another.

SPEAKER_00

That's a great idea. Very smart.

SPEAKER_01

Works for us. She's been here 42 years. I've been here 37. Now, why don't you tell me what you're selling?

SPEAKER_00

I'm not a salesman.

SPEAKER_01

That's what they all say. Come on, what is it? Aluminum siding, gutter covers?

SPEAKER_00

No, really. Uh you are Agnes Chomsky, correct?

SPEAKER_01

I am? And who might you be?

SPEAKER_00

The name is Evan Allen, and I've come to talk to you about your letters. Oh, you do write letters, I believe.

SPEAKER_01

Of course. Doesn't everybody?

SPEAKER_00

Mrs. Chomsky. I think it's fair to say that you write more letters than the average person.

SPEAKER_01

That may be, but I have no way of knowing how many letters the average person writes.

SPEAKER_00

Not many, I assure you. Most people today rely on email, text.

SPEAKER_01

So I hear. My great nephew couldn't thank me for his graduation gift because I'm not online.

SPEAKER_00

Oh, that's a shame. But it's kind of the way of the world. True enough.

SPEAKER_01

So, you say you're not selling anything. Then how about telling me why you're sitting on my porch steps?

SPEAKER_00

I'll get right to the point, ma'am. You have written 21 letters to a certain gentleman. Now there's no need to deny it.

SPEAKER_01

Oh, I'm not denying it, but you said 21 letters. You're wrong. It's 22.

SPEAKER_00

Well, I stand corrected. Now, the reason I've come here is to focus on the claims you have made against this individual who shall remain unnamed, if you don't mind. I'm here to ask you what it would take for you to turn your attention elsewhere.

SPEAKER_01

Are you a lawyer, Mr. Allen? You sound like a lawyer.

SPEAKER_00

Yes, ma'am, I am.

SPEAKER_01

Well, if you read my letters, you would know exactly what I want, Mr. Please.

SPEAKER_00

Please. No names.

SPEAKER_01

I have made it perfectly clear I want my $25 back. And I want an apology from him in person.

SPEAKER_00

Seriously now, you cannot expect the individual of whom we speak to do what you want.

SPEAKER_01

Why not?

SPEAKER_00

He's a very busy man. He can't call on every individual who contributed to his campaign. We're talking about tens of thousands of people. I I I I don't wish to be rude, but let's be realistic.

SPEAKER_01

Why do people always say they don't wish to do something and then they go right ahead and do it?

SPEAKER_00

What you're asking for is impossible. I'm sorry. It's just impossible.

SPEAKER_01

And that's another thing. I don't think you're sorry at all. Sorry implies regret. That's not what you meant.

SPEAKER_00

Mrs. Chomsky, until now, your letters have been an annoyance. A troubling annoyance to the gentleman involved. It's not to say he wasn't deeply concerned. But when you wrote that you were now sending copies of your letters to the Wall Street Journal and the New York Times, things took on a different character. And it's come to our attention that one of the TV networks might be interested in what you have to say. Not that we see your claims as anything but, well, preposterous. And I mean that in the kind of sense.

SPEAKER_01

Of course you do.

SPEAKER_00

Now, I do not pretend to understand the workings of the news media, but I do know that what you've written, what you might say into a microphone, in front of a TV camera, these things could cause a great deal of harm. I'm not only talking about the unnamed individual of whom we speak, who is, by the way, trying to move on with his life. I read that he might run for office again. And he has that right. He is a fine lawmaker. The thing is, by turning the spotlight again on certain embarrassing behavior that has been duly reported in the press and is now largely forgotten, your views, if they came to light, could throw a shadow over his future as well as the future of his family, his friends, his party. They might even give the opposition ample ammunition to thwart the aims and goals of many people, many programs. Programs, I might add, that you have supported over the years.

SPEAKER_01

How do you know what I've supported?

SPEAKER_00

Let's just say we're aware of your political positions. Now perhaps what we heard was simply untrue. Maybe there is no TV crew on their way out here.

SPEAKER_01

But you're not sure. Is that it? Even though you think I'm something of a coop.

SPEAKER_00

Now, ma'am, I did not use that word.

SPEAKER_01

My views, my preposterous views, claims that might get somebody's attention, is that it? And that's why you're here on my port steps this morning.

SPEAKER_00

Ma'am, are you about to be interviewed by NBC? What if I were to ask the eight ball? Would the eight ball tell me that?

SPEAKER_01

Don't touch it, Mr. Allen.

SPEAKER_00

Mrs. Chomsky, I have here an envelope. And inside is a check made out to you. It's a monetary gift, and may I say the amount of money is considerably more than the $25 you have asked for. Let's call it a gesture of goodwill. Now, this is yours, and all you have to do is give your word that you will cancel any TV interviews, say nothing to the news media, and stop writing those letters.

SPEAKER_01

Really? Is that all? And where does the money come from?

SPEAKER_00

Let's just say it comes from a friend. The individual of whom we speak has many friends. They help him take care of things sometimes.

SPEAKER_01

So, I'm something to be taken care of?

SPEAKER_00

Ma'am. We know you really don't want to cause any trouble to anyone.

SPEAKER_01

Hmm. There you go again. How do you know that?

SPEAKER_00

You've never been in trouble with the law. You had a spotless work record, cleaning offices on the night shift for 22 years. You pay your bills sometimes a little late. Who told you that? It's nothing to be ashamed of. All the more reason for you to take what we're offering.

SPEAKER_01

Do you think this is all about money? Do you think that's why I wrote those letters?

SPEAKER_00

Mrs. Chomsky, you have claimed that the gentleman owes you.

SPEAKER_01

He does. But there's a lot more to it than that. He presented himself as an honest man, a candidate to be president of these United States. He traveled around the country, was in the newspapers, showed up on television.

SPEAKER_00

It's what people do when they run for office.

SPEAKER_01

But he wasn't fit to hold the job. He talked about all the things he would do if he were elected, but he could not be elected, don't you see?

SPEAKER_00

His numbers in the initial primaries were very strong.

SPEAKER_01

But he lied. He broke a vow. He was unfaithful to his wife.

SPEAKER_00

That may be. But why do you have the right to take offense?

SPEAKER_01

Mr. Allen, when I contributed to his campaign, when I gave him that money, I did it because I believed he could make a difference in the White House. But you cannot expect I can expect anything at all. My expectations are my business.

SPEAKER_00

Agreed. But the gentleman's transgressions were his own business. You've got no right to start a war over it. What he did, what he didn't do, it's a private matter.

SPEAKER_01

It would be a private matter if he wanted to be president of a bank or the head of a department store chain. But we're talking about the most important job in the country. Maybe the most important job in the world. The person who wants to sit where Washington and Lincoln and Truman and Reagan have said should be able to tell the difference between the truth and a lie. The promises they make, the vows they take, ought to mean something. Actions have consequences. He had no chance of becoming president after he did what he did. That means he took my money under false pretenses. Well, I want it back. And I'm not going to stop writing letters. And when the people from the today's show land on this porch tomorrow, I'll be right here. In a good dress, of course.

SPEAKER_00

I'm going to ask you one more time to reconsider your Put that envelope away, Mr.

SPEAKER_01

Allen.

SPEAKER_00

Very well, ma'am. I do regret that you're unwilling to see things our way. I came here in good faith. You might keep that in mind in the days to come.

SPEAKER_01

The days to come?

SPEAKER_00

As you say, actions have consequences.

SPEAKER_01

What are you getting at?

SPEAKER_00

As I pointed out, your financial picture is shaky. You're way behind on your gas bill. But more importantly, you haven't paid taxes on this house this year.

SPEAKER_01

I uh I was sick.

SPEAKER_00

I had to buy medicine, and how do you know what I Oh, you'd be surprised at the information that's available online these days. Be ashamed to lose this house, wouldn't it? Daniel's house?

SPEAKER_01

I am not. I am not going to lose it.

SPEAKER_00

I have every intention of Now I know you're not familiar with the internet, but are you aware of the fact that it's very easy to spread stories about people who have had their five minutes of fame on TV?

SPEAKER_01

What kind of stories?

SPEAKER_00

Huh? Some folks will probably figure that you're targeting a hardworking public servant who's reconciled with his family because you yourself are hard up for money. About to lose your house and land in the street. Others, of course, might see you in a different light. As a lonely, slightly unhinged little old lady. Who just wants attention.

SPEAKER_01

What do you what do you mean?

SPEAKER_00

Well, you can ask the eight wall for an answer. I'll be on my way. Oh, you have a good afternoon, ma'am.

SPEAKER_01

Our plays are produced by Bernadette Armstrong, recorded at the Oak House Studio in Alcadena, California, and next by our talented sound engineer, David Peters. Our sound effects are provided by Audio Jungle and music by Karaoke version. If you are interested in submitting a play for a production, you can find that information on our website, www.opendorplayhouse.org. Please share this podcast with friends and do not forget to subscribe so we will notify you when our next production is live.