Before the 1990s, we wouldn't expect to see a film like The Watermelon Woman, a microbudget movie by a black queer filmmaker about black queer issues. But it's also a staple of 1990s independent cinema for its self-reflexivity: a film about filmmaking and film history. We tie together past episodes on Baby Face and A Page of Madness as we consider the canon of film that The Watermelon Woman challenges, and the way groups of people are buried by history.
Before the 1990s, we wouldn't expect to see a film like The Watermelon Woman, a microbudget movie by a black queer filmmaker about black queer issues. But it's also a staple of 1990s independent cinema for its self-reflexivity: a film about filmmaking and film history. We tie together past episodes on Baby Face and A Page of Madness as we consider the canon of film that The Watermelon Woman challenges, and the way groups of people are buried by history.