Join us as Joy Guidry and I talk about their new album, identity in music, and how to fix the problems with the music community as a whole.
Guest Bio:
Radical self-love, compassion, laughter, and the drive to amplify Black artmakers and noisemakers comprise the core of NYC-based bassoonist and composer Joy Guidry’s work. Their performances have been hailed by The San Diego Tribune as “lyrical and haunting…hair-raising and unsettling.” A versatile improviser and a composer of experimental, daring new works that embody a deep love of storytelling, Joy’s own music channels their inner child, in honor of their ancestors and predecessors. In every aspect of their practice, Joy seeks to support, hire, and promote Black artists. To this end Joy has spearheaded Sounds of the African Diaspora, a competition and commissioning platform for composers from the African diaspora. This new initiative ensures that composers from the diaspora have access to the space, resources, and time necessary to foster new, innovative music.
Joy holds a bachelor’s degree in Bassoon Performance from the Peabody Conservatory and a Graduate Performance Diploma from the Mannes School of Music. They have performed with the Dance Centre Kenya Ballet Orchestra, International Contemporary Ensemble, Alarm Will Sound, and have been a featured soloist in Yvette Jackson’s opera Fear is their Alibi that premiered at the 2021 PROTOTYPE festival. They have been commissioned by The National Sawdust, Long Beach Opera, JACK Quartet, and the I&I Foundation, and they have attended and been featured by prestigious festivals including the Spoleto Festival USA and the Banff Centre for Arts and Creativity. Guidry is a finalist for the 2021 Berlin Prize for Young Artists taking place in Berlin, Germany in June 2022.
More info on Radical Acceptance, Joy's debut album:
“Radical Acceptance is a personal practice that has evolved in my life over the past year. This doesn't mean there aren't still tough times, but times of warmth and comfort are much more present these days. I will never be able to change my past, the things that hurt me, but I can live in a peaceful and beautiful life of my own creation. The most important thing I've had to teach myself is that there is nothing wrong with my body or my brain. My body is fat, and I struggle with my mental health daily, and neither of those things make me any less of a human being. I know that my Black, Fat, Queer and Non binary body is valid in every way. Learning to love my whole self unconditionally will be a lifelong journey, but I am just so happy to be where I am today. This is my radical acceptance.” - Joy Guidry
“Radical Acceptance is a radical geography that defies the status quo of everyday harm that speaks straight to the senses and emotions of the listener. The organizations of sounds, tracks, rapid fingering and figures of soul-piercing resonance bring our bodies, feelings, and intuition to an evocation of a powerful relationship with those who we’re performing alongside, and those who are listening to us.” - Marshall Trammell
Released on February 4th, 2022 on Whited Sepulchre Records
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Join us as Joy Guidry and I talk about their new album, identity in music, and how to fix the problems with the music community as a whole.
Guest Bio:
Radical self-love, compassion, laughter, and the drive to amplify Black artmakers and noisemakers comprise the core of NYC-based bassoonist and composer Joy Guidry’s work. Their performances have been hailed by The San Diego Tribune as “lyrical and haunting…hair-raising and unsettling.” A versatile improviser and a composer of experimental, daring new works that embody a deep love of storytelling, Joy’s own music channels their inner child, in honor of their ancestors and predecessors. In every aspect of their practice, Joy seeks to support, hire, and promote Black artists. To this end Joy has spearheaded Sounds of the African Diaspora, a competition and commissioning platform for composers from the African diaspora. This new initiative ensures that composers from the diaspora have access to the space, resources, and time necessary to foster new, innovative music.
Joy holds a bachelor’s degree in Bassoon Performance from the Peabody Conservatory and a Graduate Performance Diploma from the Mannes School of Music. They have performed with the Dance Centre Kenya Ballet Orchestra, International Contemporary Ensemble, Alarm Will Sound, and have been a featured soloist in Yvette Jackson’s opera Fear is their Alibi that premiered at the 2021 PROTOTYPE festival. They have been commissioned by The National Sawdust, Long Beach Opera, JACK Quartet, and the I&I Foundation, and they have attended and been featured by prestigious festivals including the Spoleto Festival USA and the Banff Centre for Arts and Creativity. Guidry is a finalist for the 2021 Berlin Prize for Young Artists taking place in Berlin, Germany in June 2022.
More info on Radical Acceptance, Joy's debut album:
“Radical Acceptance is a personal practice that has evolved in my life over the past year. This doesn't mean there aren't still tough times, but times of warmth and comfort are much more present these days. I will never be able to change my past, the things that hurt me, but I can live in a peaceful and beautiful life of my own creation. The most important thing I've had to teach myself is that there is nothing wrong with my body or my brain. My body is fat, and I struggle with my mental health daily, and neither of those things make me any less of a human being. I know that my Black, Fat, Queer and Non binary body is valid in every way. Learning to love my whole self unconditionally will be a lifelong journey, but I am just so happy to be where I am today. This is my radical acceptance.” - Joy Guidry
“Radical Acceptance is a radical geography that defies the status quo of everyday harm that speaks straight to the senses and emotions of the listener. The organizations of sounds, tracks, rapid fingering and figures of soul-piercing resonance bring our bodies, feelings, and intuition to an evocation of a powerful relationship with those who we’re performing alongside, and those who are listening to us.” - Marshall Trammell
Released on February 4th, 2022 on Whited Sepulchre Records
Subscribe to Classical Schmassical: https://www.youtube.com/channel/UCKHLhYNkfCuZs6lu-7a3-wQ
Join the Discord: https://discord.gg/Qc7mnVbB
Follow Classical Schmassical: https://www.facebook.com/ClassicalSchmassical